My practice encompasses stone carving, photography and data projection in installations.

I carve small, abstract organic forms that are connected with the body and with nature. The modernist aesthetics of working the stone is important to me in itself, so that it provokes a wish in the viewer to touch, sense and experience the stone. And the carving, whether it be hard as marble, or softer like alabaster, (or even occasionally of a man-made material), is but one element of the story I wish to tell.

Photography, other objects and light projection expand the narrative. With my photographs I like to emphasis the ghostly and uncanny as well as the sublime. The digital light projection of the photograph creates large-scale images that fill the space and also disappear into an electronic grid, as the viewer approaches these illusory representations.

Caroline Pick

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